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Tuesday, January 26, 2010 - Bosque Birdwatchers RV Park, San Antonio NM

Coming to Roost, Sandhill Cranes, Bosque del Apache National Wildlife Refuge, San Antonio NM, January 26, 2010
Coming to Roost, Sandhill Cranes, Bosque del Apache National Wildlife Refuge, San Antonio NM, January 26, 2010

I like this silhouette enough to put a larger copy over at my Birds Series of photos.

The new camera I ordered yesterday, a Canon EOS 7D 18 MP CMOS Digital SLR Camera with 3-inch LCD and 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens, arrived from Amazon this afternoon and I managed to get a battery charged and learn enough about the camera to go off with Kate & Terry on a sunset photo shoot at the Bosque.

This is one of the few keepers I got out of about 150 shots. Trying to capture the wonderful birds here at the Bosque has made me so aware of the limitations of my old Panasonic DMC-FZ28 that I've been concentrating so much on learning to manually control my camera that I've been taking way to many poorly thought out "oh, look, a bird!" pictures. The DMC-FZ28 is a great little point & shoot camera but it just isn't up to shooting birds in low light. It will be nice to get enough control of this new beast that I can pay more attention to what I'm shooting than to the camera.

Facing South, Sandhill Cranes, Bosque del Apache National Wildlife Refuge, San Antonio NM, January 26, 2010
Facing South, Sandhill Cranes, Bosque del Apache National Wildlife Refuge, San Antonio NM, January 26, 2010

Why do the cranes so often face southward at the evening roost?

Night camp

Site 16 - Bosque Bird Watcher's RV Park, San Antonio NM

Others Choose the Path of Healing

The labor camp in Erfurt and, after the war, the refugee camp in Mainz were all I knew when I came here [from Germany] in 1947 at the age of seven. Like many camp survivors, it was not the experience itself that dogged me as much as the why of it. The why seems clearer every day: those who see themselves as victims, nations included, have license to commit these things. Others choose the path of healing.

Michael Guran, architect, in Jesse Monongya, Opal Bears and Lapis Skies by Lois Sherr Dubin

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